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Showing posts with label DesignHistory. Show all posts
Showing posts with label DesignHistory. Show all posts

Thursday, July 21, 2011

Never Born: Lamborghini by Giugiaro

Designed in the early 1960s, the model was built independently by Italdesign in 2008

At a recent visit to Giugiaro, this 50 year old unnamed Lamborghini, never before seen, suddenly appeared like an undiscovered Shakespeare manuscript, discreetly displayed in a library with no-one paying attention.
Fabrizio presented the model as a gift to his father on his 70th birthday
 
Parked under some Greek temple-like stairs at the Giugiaro Design headquarters, the car sat on its period Borranis, painted in a yellow hue unseen this side of Ducati.
No details, no background, but the story is simple: Fabrizio Giugiaro found some of his father's old sketches from the Bertone era (1960-1965). He digitized one of them, milled it, painted it, put on wheels, headlamps, some brightwork around the windows and a period numberplate.
"Happy Birthday father," he then proclaimed on Giugiaro's 70th birthday. "This is actually from you to us, but we made it for you".
So what is it – apart from a beautiful birthday present?
The drawings were marked 'Lamborghini', and though the first Lamborghini was presented at the 1963 Torino motor show, the Torino design community had known for a while that a new Italian supercar was about to be born. Uninvited Pininfarina, Ghia, Vignale, Michelotti and certainly many more (Bertone confirmed that they too, had participated) submitted proposals, without knowing too much about the project.
A design by ex-Bertone (now freelance) designer Franco Scaglione was eventually chosen, but it disappointed many – even Ferrucio Lamborghini himself admitted it might have been a mistake so he sent it to Touring to have it reworked.
We have never seen any of the other designs so it is impossible to get an idea of how the original Lamborghini might have looked. But this sculpture might give an idea of what Bertone intended.
It is entirely different from all the other designs Giugiaro created during his time at Bertone, but that's no surprise. Giugiaro worked on super-disciplined production cars like the Alfa 2000 Sprint, Gordon Keeble, Fiat 850 Spider or Mazda Luce 1500 at the same time as free-wheeling fantasies like the Aston DB4 Jet, the Corvair Testudo (sold at Villa d'Este this summer to a businessman from Milan and now back at Giugiaro headquarters) or the Alfa Romeo Canguro.
Most of the 25 "officially credited" creations he worked on while at Bertone are nothing short of masterpieces.
This Lamborghini is completely different from both the other designs he worked on during that period and what everyone else was doing at the time. The flowing – some might say bulbous – lines recall the Ferrari P3 and P4, but those cars appeared years after young Giugiaro sketched these lines.
There wasn't anything in the Ferrari/Pininfarina portfolio that could have inspired these looks either. The 250 GT SWB, the 250 GT Berlinetta or the 400 Superfast were far removed from this concept car. Pininfarina's Corvair – the CoupĂ© Speciale – was but a pale demonstration of what that car might become. And looking at the Testudo born at the same time, it was clearly evident who the original thinker behind the car was.
The flying buttresses on the Giugiaro Lamborghini are extremely interesting. If Scaglione had continued developing his BAT-series perhaps something similar might have appeared earlier. But he did not – this aesthetic was only publicly revealed on the Ferrari 250 LM Berlinetta, a car that appeared after these sketches were done. The Dodges with similar treatment ('fin shaped rear uprights' was Pininfarina's translated explanation in the late 1960s – it was coined 'tunnel back' in the US) did not appear until 1968/69.
So if this was a proposal for the Lamborghini debutante, why was it discarded? The weak front cannot be the explanation; that could easily be modified. The reason was probably that Lamborghini was after a car with a Gran Turismo image, not an uncompromising two seat sports car with track attitude.
For Bertone it was no disaster; he got his name on both the Miura and Espada – two milestones if ever there were any. But Giorgetto Giugiaro must have been disappointed and, after a lifetime at the top, there hasn't been any Lamborghini to officially wear with his signature.
Was he reminded of that when he saw this car? And was that why he re-ignited the ‘who did the Miura' discussion some time ago (he stated fairly clearly that the P 400 was as much his as it was Gandini's)?
Pure speculation, but we'll ask him next time.

Saturday, June 4, 2011

ImageGallery: Bertone Milestones - Genesis '1988


Friday, June 3, 2011

Bon Appetite! - Opel CD Concept '1969

The Opel CD was designed under the control of Charles M Jordan, and was first shown at the 1969 Frankfurt Motor Show on September the 9th. The Opel CD (Coupé Diplomat) featured a one-piece "greenhouse" windscreen and side windows with integrated doors, which pivoted forward to access the cabin. The Opel CD was based on an Opel Diplomat and featured the 5354cc Opel Diplomat engine.

Wednesday, May 25, 2011

C-X75's Design Story


JAGUAR'S C-X75 DESIGN STORY IS TOLD AT CLERKENWELL DESIGN WEEK

Behind every car is a story, and the element of design is always a chapter within it.

Jaguar UK has chosen Clerkenwell Design Week to showcase the one-off C-X75 concept car and has depicted the process from the first sketch to production through a bespoke art installation designed and produced by the Jaguar design team.

Hugo Nightingale, Senior Designer, Jaguar Cars, said: 'We want to explain to people the art of creating a car. In some companies car design is a technical, cold process. At Jaguar it is about emotion, artistry and craftsmanship.'

He added, 'Clerkenwell Design Week is the perfect environment for us to present the C-X75 to the design world and explain how its existence was founded on a desire to continue Jaguar's design philosophy of flowing lines, purity of form and bespoke luxury for years to come.'

The installation reveals insights into the car design process through eight 'windows' each measuring two metres wide. Starting with inspiration, the journey includes creating sketchwork, material choice and sculpting full-size clay models. It is revealed that for that in the early design phase of a new car, approximately five hundred sketches are pencilled before a single theme is decided upon.

On the C-X75 Ian Callum, Design Director, Jaguar Cars, commented, 'The C-X75 is everything a Jaguar should be. It possesses remarkable poise and grace yet at the same time has the excitement and potency of a true supercar. You could argue this is as close to a pure art form as a concept car can get."

Also on display are a selection of Jaguar's current range of cars; the XFR, XKR-S and XJ Supersport.

Clerkenwell design week runs in London from 24th to 26th May 2011. The Jaguar art installation, C-X75, XFR, XKR-S and XJ Supersport are all located in the Farmiloe Building. For free entry register at http://www.clerkenwelldesignweek.com

Tuesday, May 24, 2011

Art Deco and British Car Design

Published by Veloce, “Art Deco and British Car Design” is a book about automotive styling that covers in particular the streamlined design from the 1930′s that defined what are now known as Airline cars.

During the mid-1930s the majority of British car manufacturers and coachbuilders experimented with streamlined styling.
This fashion was the result of Art Deco, an international movement that influenced design and marketing in many different industries, and produced some of the most unique and visually exhilarating cars ever produced in Britain.
Part One of “Art Deco and British Car Design” explains and illustrates the Art Deco styling elements that link these streamlined car designs, and describes their development, their commonality, and their unique aeronautical names.
The stories of the individual cars, their designers, and their development, are told in Part Two. Here, author Barrie Down has collected examples of all the significant British streamlined production cars made between 1933 and 1936, many of them still represented by beautifully restored survivors.
The book includes 144 pages, over 200 contemporary pictures and color photographs of existing cars, many of which have never before been published.
by carbodydesign.com  

Tuesday, May 10, 2011

Lamborghini History: Countaches





You may remember the Lamborghini Countach. Often hailed for single-handedly jump-starting the poster industry more than 25 years ago, it's also one of the most misunderstood supercars of all time.
It's often lambasted by those who have never driven one and dismissed as a toy for poseurs during a midlife crisis. But this Lamborghini's time has finally come. Its place in history as the ultimate high-performance car of its era is now secure.
The Countach lived a long life, remaining in production from 1974-'90 through some very tough years at Lamborghini. But its appeal as the ultimate fantasy car remained undimmed. You can't help but admire a model created with just two very clear aims: to go faster than all others, and keep Ferrari out of the spotlight.
The Debut
Rolling out the original Lamborghini LP500 prototype at the Geneva auto salon in March 1971 might have seemed premature, especially since it shared the limelight with the Miura SV. Although the LP500's transition to production car was far from assured when it was built at Bertone's studios in Turin, the amazing styling and avant-garde mechanical layout assured that potential buyers would be clamoring for the new sports car.
New Chief Engineer Paolo Stanzani decided to improve on the Miura's flawed weight distribution by mounting the LP500's engine longitudinally and then placing the gearbox between the front seats. This was a brilliant reversal of conventional thinking, and meant that the prototype was shorter in wheelbase and length than the Miura.
It was nominally more powerful, too, with a claimed 440 horses, though, of course, it didn't matter whether that figure was true or not. This was a showcar, and it needed big numbers to match its amazing Gandini-penned styling.
Making Its Way to Production
In the wake of the model's debut, Stanzani and Kiwi test-driver Bob Wallace turned the LP500 into a production reality. In short order, the plan for a larger engine was dropped and development concentrated on turning the surprisingly capable prototype into a usable supercar. Cooling was the major issue and, as development continued, bulky air scoops aft of the side windows replaced the original car's elegant gills. NACA ducts were added to the scissor doors, and the rear flanks gained slatted grilles. It was a wedge with attitude.
Two years after the original showing of the LP500, a more production-ready Countach LP400 was previewed. Despite the onset of global economic meltdown and downward pressure on speed limits, it still attracted huge attention. Lamborghini claimed a maximum speed of 198 mph, which made the Countach the world's fastest car. On paper, at least.
Any criticisms leveled at the LP400 by Balboni are tempered by a single sentence: 'But it's a Countach!'
When the production car appeared in 1974 it was soon abundantly clear to seasoned road testers that, as impressive as the Countach appeared, it was never going to get close to 200 mph. But then, when it looked this good, who cared?
And that's all part of the continuing myth of the Countach. Exaggerated top speeds became the car's calling card — figures that were as dramatic as the ever-widening wheels, expanding engine capacities and Walter Wolf-inspired aftermarket wings that adorned the '80s cars.
But which of the Countaches is the best? The pure LP400 Periscopo, the wide-bodied S or the fearsomely powerful Quattrovalvoles? Lamborghini's own test-driver Valentino Balboni will help us decide.
The Original: 1974 LP400
Although some think that the LP400 looked cluttered next to the original LP500, when compared to the later Countaches the 400's design has an appealing delicacy. In glorious yellow with a contrasting black Alcantara and leather interior, it's the most striking of our quartet — and the one that all our assembled testers want to drive first.
Valentino Balboni echoes everyone's feelings when they see this car. "This is the real Countach," smiles the ever-helpful test-driver who, while he wasn't part of the original development team, played a role in the model's evolution in its later years. And it's hard to disagree. What was once oversize and extravagant now appears dainty and perfectly proportioned — an impression that remains intact from behind the wheel.
"This is much lighter than the other cars here," says Valentino. "You feel it in the suspension, the steering and the tires. The steering is more precise, but you lose some stability because of the small tires; the car follows the camber of the road. It's very nice, but it's much more demanding."
On the track, you can also feel some flexibility. The suspension on early examples demands respect, especially when you load lateral forces into the rear tires. The car tends to oversteer constantly, but it is also the most controllable here thanks to the narrow 70-Series Michelin XWXs, and a softer suspension setup that allows a degree of body roll denied by the later cars.
The LP400's performance isn't quite as impressive as years of expectation would have you believe. Long gearing blunts its claimed 375 horsepower, and the car takes some winding up to start delivering — no bad thing given its epic soundtrack. Explains Valentino: "It was all about Lamborghini wanting to go fast. The Countach team wanted to break speed records for a production car. During development, this model — a standard prototype — was homologation-tested at Nardo at 202 mph."
But there are reminders that this car is nearly 40 years old. The brakes are weak and prone to fade if you're driving hard. You also need to pump the pedal to get the best out of them which, as Valentino explains, is down to the flexibility of the rear hub.
It's hard not to love the purity of the LP400. Look at its younger siblings gathered here and you'll conclude that Lamborghini got it right the first time — as long as you can live with the low levels of lateral grip and less-than-perfect brakes. Yet any criticisms leveled at the LP400 by Balboni are tempered by a single sentence: "But it's a Countach!" A perfect qualifier if ever we've heard one.
The Lean Years: 1984 Countach LP500S
Lamborghini was all but bankrupt during the mid-1970s. In the post-fuel crisis world, sales had slowed to a trickle, leaving the company with very little in the way of development resources. So when it came to partnering the Countach with Pirelli's impressive new 50-Series P7 low-profile tire, it was actually F1 team owner and Lamborghini customer Walter Wolf who invested the money to make it happen — initially on his own cars.
Chassis changes to accommodate the rubber (which were 345/35VR15s on the rear!) included revised suspension mounting points, along with new uprights and hubs. Although nowhere near as obvious as the tacked-on wheel arch extensions, these were significant modifications and it was only right that, when the revised car went into production in 1978, it was badged LP400S.
But the additional rubber allied with the unmodified engine had a negative effect on performance. Frontal area increased and maximum speed dropped.
In 1982 the situation was addressed with the LP500S (actually badged 5000S). The V12 increased in size to 4,754cc. Power remained at 375 hp but was delivered at a lower engine speed of 7,000 rpm. More telling was the torque, which rose from 266 pound-feet to 303 lb-ft. Combined with lower intermediate gears, it made for a much punchier drive.
"The first thing you notice over the LP400 is the difference in power and torque — it's much easier to drive quickly without the disadvantage of the older car's long gearing," Valentino says. The LP500S is definitely less peaky, with a much more linear delivery. Maximum acceleration involves running to 7,000 rpm as opposed to 8,000 in the LP400, making it a less aggressive drive. In terms of engine note, it's much the same: The volume of the bellowing has been turned up a notch, and sounds just a little more deep-chested and purposeful."
The major difference between the LP400 and LP500S is in the handling, thanks to all that extra rubber on the road. "These wide tires give really grippy road-holding," Valentino says. "The ultimate limit is much higher, and the responsiveness on the road is much improved, but the main difference is the additional confidence the new setup gives — even if it means that the steering effort is much higher."
We know what he means. When attacking the test track in the LP500S it's a case of having to really muscle into the tighter, slower corners. Some might say needlessly so, but it's all part of the Countach character.
One thing we're all agreed on is the way this car looks. White with a white interior should be a visual disaster, but instead the '80s color scheme looks absolutely fantastic here. It's suitably over-the-top for an extreme supercar. The rear wing, never officially offered as standard (or optional) equipment by the factory but instead sold via the back door, really sets off the lines of the LP500S — even if Valentino reckons it robs the Countach of about 12 mph from its maximum speed.
The Performer: 1987 Countach 5000 Quattrovalvole
The old rivalry with Ferrari showed no signs of abating as the 1980s continued. So when the Prancing Horse unveiled the 390-hp Testarossa in September 1984, Lamborghini immediately countered with a move to get more power from its long-serving V12. With a degree of financial security given to the company by the Mimram family (who had owned Lamborghini since 1980), and an engineering team now headed by the brilliant Giulio Alfieri, the route to extra power was more straightforward than it had been in the cash-strapped '70s.
Alfieri actually started the Quattrovalvole program after the arrival of the Testarossa. Valentino smiles and tells it like it is: "We wanted this engine to be more powerful than Ferrari's." Alfieri aimed for 450 hp and cleaner exhaust emissions — and achieved them using brand-new four-valve cylinder heads and centrally mounted downdraught carburetors (which required a vision-robbing, reprofiled engine cover). On the test bed, the 5,167cc engine produced 480 hp, but that was throttled back to 455 hp for the production version. Torque, too, was up substantially to 369 lb-ft.
On the road, Valentino reckons this Countach is perfect. He says: "This was the engine that finally delivered enough power to give this beautiful car the performance it deserved. In terms of driving sensation, it's not too far away from the previous car's; it's just smoother, more powerful and generates so much more torque." It's mightily impressive on the track, too, sounding almost identical to the LP500S, but from 4,500 rpm it pulls with so much more conviction, delivering a killer punch that still manages to place the QV near the top of the performance car tree today.
Dynamically, the Quattrovalvole is only subtly changed over the LP500S. The steering is heavier than on the older car, yet Valentino confirms that this could well be down to its grippy new Toyo front tires: "It's a subtle difference, but the steering on a Countach has always been quite heavy, yet still reasonable." We'd argue with that — yes, it has bags of feel in sweeping bends, but power steering would transform this car when the going gets tighter.
Valentino also confirms changes to the gearshift: "A new synchromesh has been fitted, and the change action has a very short travel, which makes things a little bit harder. It's more precise than the previous one, and is very quick." The soft-feel gear knob looks a little cracked in places — which has probably happened because of the sheer effort it takes to slot the lever in repeatedly, especially during downshifts.
But overall, the QV represents a massive leap over its predecessors. It's much faster — it's still quick in modern terms — plus it has the smoothest-responding engine, the most grip and the best brake/handling package. In objective terms it's easily the best so far — and Valentino doesn't pull his punches, either: "This, in my opinion, was the greatest Countach when new, the best-looking and the best performing. I like its character and temperament, and it remains a pure Countach to this day."
The Refined Countach: 1990 Anniversary Edition
By the time this edition was unveiled to celebrate Lamborghini's 25th anniversary in 1988, the company was well on its way to launching the Countach's replacement: the Diablo. That car would be, in effect, a massive modernization of the entire concept, with — as Valentino admits — one or two compromises, such as the move away from a tubular steel structure.
But the Anniversary was also a reflection of how times were changing for the marque in the boom-time late '80s. It received a fairly substantial face-lift, effected by a brand-new body kit with styling input from Horacio Pagani (a man who'd move on to create the Zonda). It has a smoother, friendlier look, with better-integrated cooling ducts than before, and the individualistic NACA ducts are now body-colored.
Inside, the Anniversary reflects the buoyant mood of the time. It loses the original car's appealing "deck chairs," and gains more lavish trim, climate control and electric operation for its laughably small side windows. It also feels much more tightly screwed together than the QV, although that could be down to the lower mileage of our test model (which was supplied by the Lamborghini museum).
The Anniversary initially feels almost Lexus-like after the other cars, and slightly at odds with the Countach's usually uncompromising nature. Yet, on the road, the smoother-looking Anniversary is almost identical to the QV.
"There were some minor changes to the rear suspension geometry, due to the fitment of shorter wishbones, but beyond making the car easier to drift there's little difference," Valentino says. Those modifications were necessary due to the tires rubbing on the new fenders, and also resulted in a slightly narrower rear track. But much more important from a technical view is the improved cooling system, which finally laid to rest one of the car's major Achilles' heels: its less-than-perfect hot-weather running.
The Anniversary certainly feels just as physical as the QV to drive on the track, with the same familiar set-in-concrete — if communicative — steering, brakes and clutch. Nonetheless, Valentino praises its low-speed ability. "There is no jerking when trickling along," he says. "It's smooth and there is a lot of clean torque, considering it's a multi-carburetor, old-school car. I think with the Anniversary we got the best compromise with what we wanted from a Countach."
Despite its divisive styling (which suffers for being less extreme than the QV's), there's something very likable about the way the Anniversary feels. It has all the poise and ability of its fearsome ancestors, yet it's just friendly enough that you can sit in it and not feel completely intimidated. Perhaps that would explain why the run-out model sold so well during its two-year stint, which led up to the arrival of the altogether more modern Diablo. The Anniversary represents the end of an era — but, luckily for the engineers at Lamborghini, it's also the best of the lot to drive.
The Verdict
Each generation of Countach drives just a little bit better than the last. So does it follow that the youngest is the most desirable? Not a bit.
The stunning beauty of the original LP400 makes it an almost irresistible proposition, and the lower limits of those XWX tires add a naughty charm that's lost from the later cars. Valentino puts the LP400 into great context: "This car turns a page in sports car history. It was everyone's dream to have one. I wouldn't want to change anything on this model."
And that brings us to the S and QV. Of these cars, it's the four-valve that offers the most of everything — performance, road-holding, even its soundtrack. With the QV you can still run rings around all but the most powerful modern hypercars.
Valentino loves the QV and has no reservations about declaring it the best of all. "It's still clean and pure Countach. I think it's the best compromise. In terms of power and drivability, for me it's the best. This is the one which has the most charisma, I would say. Pure Countach: the right engine in the right car."
But is the best car necessarily the one Valentino would take home? "Keys on the table, I would definitely, without a doubt, take home the LP400, because of its history, because here was a world-changing machine. This is the model that made Ferruccio Lamborghini a star. I love these cars, I love the company — this is the symbol, something special."
Thanks to Valentino Balboni, car owners Andrea Nicoletto, Albert Reich and Harry Metcalfe, and the Museo Lamborghini.
by InsideLine

Monday, May 2, 2011

A VehiCross story (HU)

“We categorically deny any connection to government experiments at Area 51.”

Volt egy SUV ami a 90es evek vegen teljesen ujraertelmezte a sport ute fogalmat, ami eredeti formajaval szinte divatot teremtett, ami maga volt a jovo design hirnoke. Eloszor 1993ban jelent meg a Tokyo Motor Shown, es utana se sokat valtoztatott egzotikus ruhajan. Ugy nezett ki mint egy prototipus csak eppen szeriaban gyartottak. Tervezoi Shiro Nakamura es Simon Cox voltak. Arrol a Simon Coxrol van szo, aki megalmodta kesobb a Cadillac 100eves evfordulojara keszult Cient. Mikor szeriaban is megjelent az auto, egyik plakaton ugy reklamoztak, hogy “Kategorikusan tagadunk barmely kapcsolatot ami a kormany kiserleteire utal az 51es Zonaban”. Megtehettek, mert az auto tenyleg ugy nezett ki. Az alacsony tetovonalu profetikus forma mogott a muszaki tartalom is meg volt. Nem csoda, hogy a sajto odakat zengett rola,mert hozza hasonlot, ami annyira otvozte volna a sportkocsit a terepjaroval, azelott de azutan se epitett senki. Ugy emlegettek mint az suv es a sportkocsi szerelemgyermeket. Hat persze, hogy a hires Isuzu VehiCrossrol van szo.

Simon Cox szerint mar lealdoztak azok az idok mikor teljesen hasznalhatatlan frivol show autokat epitettek, manapsag mar azesztetikai latvanyon tul messzemenoen praktikusnak kell lennie egy terepjaronak. Az emberek nem akarnak konzervativautokat tobbe es ennek bizonyiteka a VX sikere. Az adott Isuzu Trooper rovid tengelytavjat leszamitva a korulmenyekhez kepest teljesen elegedett a vegeredmennyel. A kiindulopont egy Paris Dakar versenyauto vazlata volt es abbol lassan korvonalazodott az uj korszakot hirdeto jargany. Egyik erdekessege a tolatokamera volt, aminek kepernyoje a kozepkonzol tetejerol mutatta a hatso kepet. Szuk vezetofulkeje teljesen sportkocsis, borulesek, sportkormany, sokcsavaros tanksapkaajto arulkodott sportos gyokereirol. A 3,5os 24 szelepes V6os 5400on leadott 215loerejet 245os Bridgestone Dueler gumik vittek az aszfaltra 4-sebesseges automatan keresztul. A megbizhatosagarol hires radikalis auto stilusarol eleg ha annyit mondok, hogy a las vegasi casinok vilagabol egy Joshua tree utani szaguldast kovetoen sziklas, poros, hegyes uton is otthonosan mozog. Ki tudja, talan epp a formailag farnehez VX gondoskodott az Area51 korul keringo legenda oregbiteserol.

A VehiCross meg egyenesen maga az eredetiseg megtestesitoje. A kanyar gyosulasa 0,75G ami nem is olyan rossz egy holdjarotol. Osszehasonlitaskepp a Mercedes ML430 az 0,73G. Ugye ugye, nem is keves, mikor az NSX 0,89G. Az igaz,hogy 8,8alatt van szazon, a Grand Cherokee kb 7,7, de az megiscsak egy V8. Ami meg van ebben a csodamasinaban az egy olyan rugo ami egyenesen a Bajara is jo. Nem viccelek, ezzel versenyeket nyertek. A japan verzio megint csak jobban fel van szerelve mint az amerikai. Azon van tolatokamera 2DINes TV Stereo SatNav rendszerrel. Sok autoslap egyenesen kikialtotta a vilag legjobb SUVjanak. Rengeteg cikket irtak mar rola. Lassuk csak mivel kecsegtet az Isuzu holdjaroja ami egy sportute es egy sportkocsi eddig legeltalaltabb otvozete. Van benne vmi a Dodge Viper nyers elszabadult brutalitasabol.




3.5 V6 24v DOHC 216 loero


Elektronikusan vezerelt 4 sebesseges automata valto overdriveal es teli fokozattal

Dakar gyoztes szuper rugok (soha ilyet nem szereltek meg szeriagyartasu gepre)

A vilagon egyedulallo a Borg Warner altal kifejlesztett TOD rendszer (Torque On Demand) grafikus kijelzovel, kulon szamitogep figyeli az utviszonyokat es annak megfeleloen dont a masodperc tort resze alatt az idealis eroelosztasrol.

Futurisztikus sportos exkluziv formaterv ami semmivel nem osszetevesztheto

Ketszinu Recaro bor ulesek amelyek jo oldaltartast biztositanak es tokeletesen harmonizalnak a Kevlar betetekkel es a borbevonatu sportkormannyal.

Voltak terepjarok. Azok terepjarok voltak. Voltak sportkocsik. Kesobb voltak 4kerek hajtasu sportkocsik. De egyik se volt kepes terepen menni. Sportosan. Aztan jott az az ember, az a bizonyos Shiro Nakamura, az az ember akinek a nevet a Nissan 350Z, az Infiniti FX45, vagy az uj Nissan GT-R femjelzik, es megalkotta az Isuzu Vehicrosst. Uj idoszamitas kezdodott. Megszuletett a PUV. Performance Utility Vehicle. Vagy valami ilyesmi neven emlegettek. Mert nem tudtak jobbat.Mert eddig ilyen nem volt. Mert nem voltak meg hozzaszokva az emberek. Ezek utan nem marad mas hatra mint egyetertenem azzal a reklamba illo kijelentessel miszerint a Vehicross technologiailag talan a legfejlettebb SUV a bolygon.

Marmint a Foldon.

Saturday, April 30, 2011

Andonis says: Avantgarde (Part one)

What is avantgarde? What does an avantgarde car mean? What makes a car avantgarde? How does it refer to the other cars of its time? How does the design express avantgardism?

According to Wikipedia "Avant-garde means "advance guard" or "vanguard".The adjective form is used in English to refer to people or works that are experimental or innovative, particularly with respect to art, culture, and politics.

Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The notion of the existence of the avant-garde is considered by some to be a hallmark of modernism, as distinct from postmodernism."


What does a Tucker Torpedo and a Renault (Matra) Avantime have in common? Nothing. Apparently. However if we look at them more closely we notice that they are both fueled by the same dream to create something else, fundamentally new, other that defined its time. They both seek the future by pushing the boundaries of what has been accepted as normal or status quo. Look at the DS for instance, it screams future in every detail of it carefully thought shape. 
So does avantgarde translate into instant financial success? Not necessarily. Most of these cars were either born from an artistic attempt to redefine the shape of the future of their present simply by their presence, or intentionally leaping forward technologically. Avantgarde does express art. 
The 1938 Bugatti Type 57SC Atlantic still draws the admiration of the beholder. It works as magnet. Its simple, but majestic lines have something in common with the classicism in terms of cultural and spiritual era of humanity. In the 1920s, automotive design took a leap forward into the modern age, taking many cues from the Futurist and Art Deco movements. Such a leap is the dedication of the coachbuilder Bugatti. 

Now let's take a look at the most avantgarde automotive milestones of all-time. They are all classic works of art. They inspire by representing beauty or share innovative visions! The style of these masterpieces bring lightness, yet their weight is impressive on the scale of automotive history. Enjoy the time-travel!
Let's start with Preston Tucker's dream.
1949 Tucker Torpedo



1934 Mercedes-Benz 500K



1935 Cord Model 810/812



1935 Jaguar SS100



1937 Volkswagen Beetle
  
1938 Bugatti 57SC Atlantic

Porsche 356 Speedster

1954 Mercedes-Benz 300SL Gullwing Coupe


1955 Citroen DS 




1959 Cadillac Eldorado 



1961 Jaguar E-Type (XKE)



1963 Chevrolet Corvette Sting Ray (prototypes above)



1963 Mercedes-Benz 230SL Pagoda



1964 Ford GT40 



1964 Ford Mustang Coupe



Porsche 911 (1965-) (Speedster above)



1966 Lamborghini 400GT Flying Star II



1966 Lamborghini Miura (1968 Roadster shown)



1967 Ferrari 330P4



1967 Ferrari Dino 246GT(S 1972-74)



1967 Lamborghini Marzal

1968 Alfa Romeo Carabo



1970 Citroen SM



1971 Lamborghini Countach



1971 Maserati Bora



1972 Renault 5 (PPG Pace Car shown)



1974 Citroen CX (1982 GTi shown)

To be concluded...
 
Thanks for the images carstyling.ru